![]() You hope for that, the way people hope to win the lottery. Anytime you’re a woman writing stories about women, you hope Reese calls. ![]() He reads it, and then we sit down and talk about how we could see it going. ![]() Any time I finish a book, one of my first calls is Brad. I was writing for a long time, before I wrote Daisy Jones, but Daisy Jones felt very special and like a really great opportunity for an adaptation. TAYLOR JENKINS REID: You’re assuming that I’ve processed it. What has this whole experience been like for you, selling the book, selling the rights for TV, having the book come out, and now having the TV series come out? Are you still up in the clouds somewhere? ![]() This TV series was set in motion before the novel was even out. During this interview with Collider, author/producer Reid and executive producers Scott Neustadter (who also developed the story for TV) and Brad Mendelsohn talked about how pie-in-the-sky ideas about this adaptation quickly turned into a reality, Reid’s insight into the human condition, the fun of living in this specific world, and remaining faithful to the source material while expanding the story.Ĭollider: Taylor, this whole process has moved much quicker for you than what normally happens. ![]()
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